Cities Research Team

Gillian Jein is Reader in French and Cultural Geography. Her research focuses on the intersections of urban studies, cultural production, and ecological imaginaries, with a particular emphasis on Paris and contemporary urban transformations. She has published widely on urban aesthetics, spatial justice, and the role of visual culture in shaping perceptions of the city.

Her monograph, Alternative Modernities in French Travel Writing: Engaging Urban Space in London and New York, 1851–1986 (Anthem Press, 2016), examines representations of urban space in French travel writing. She has contributed to several edited volumes, including Aesthetics of Gentrification: Seductive Spaces and Exclusive Communities in the Neoliberal City (Amsterdam University Press, 2021) and Making Do in Urbanism and the Arts (Amsterdam University Press, forthcoming). Her work has appeared in journals such as French Studies, The Journal of Contemporary European Studies and The Irish Journal of French Studies.

Dr. Jein has led multiple funded research projects, including Inventing Grand Paris: Visual Culture, Regeneration and the Right to the City, supported by an AHRC Leadership Fellowship (2018–2019). This project examines the cultural and artistic responses to large-scale urban redevelopment in Paris. More recently, she has developed Growing Resonance, Grounding Cities, which explores ecological and community-led urban practices in the UK and France. This project has been supported by Newcastle University’s Pioneer Award (2022), a Knowledge Exchange Sabbatical (2023), as well as the Economic and Social Research Council's Impact Acceleration Account (2024) and the North East Combined Authority (2024).  

She is actively engaged in interdisciplinary research initiatives, serving as Theme Lead for "Defining and Experiencing Cities" at Newcastle University’s Centre for Researching Cities. She has also been involved in public engagement and knowledge exchange activities, including collaborations with The Comfrey Project, an urban gardening initiative supporting refugees and asylum seekers in the North East of England. Together they are composing a book, The Comfrey Almanac: Growing the Intercultural Garden.

Dr. Jein has held academic positions at Bangor University, Mary Immaculate College (University of Limerick), and the University of Stirling. She graduated with a double-first class honours degree in French and History from Trinity College, Dublin where she also completed her Ph.D. and has held fellowships at New York University and the École Normale Supérieure, Ulm, Paris. 

IMPACT & ENGAGEMENT

Gillian is also the School of Modern Languages Director of Impact & Engagement, and passionate about the role which the Arts & Humanities can play in society.

For the last REF, the school shepherded three of the six Impact Case Studies for our Unit of Assessment (UoA) through REF2021, and she worked closely with colleagues to support colleagues in presenting their work, which for some was the cumulation of a lifetime dedicated to improving the lives of vulnerable people. As a result, the School of Modern Languages' 4* research, impact and research environment rank in the top 25% of universities across the UK. And the UoA's work ranks 5^th in the UK for overall research power and impact power.

EDUCATION

2008 Ph.D, Trinity College, Dublin, Ireland (supervisor Prof. David H.T. Scott)

2002 Diplôme d’Études Approfondies (D.E.A. / M.Phil equivalent), Sorbonne Nouvelle Université Paris III, France (supervisor Prof. Philippe Hamon)

2001 B.A. Trinity College, Dublin, Ireland (double first-class honours in French and History, dissertation in both disciplines)

ACADEMIC TEACHING QUALIFICATIONS

2017 F.H.E.A., Bangor University, Wales (Fellow of the Higher Education Academy / Advance HE).

2010 F.L.E. (Stage de perfectionnement en Français Langue Étrangère / Teaching French as a Foreign Language), Université de Laval, Québec. 

2005 T.E.F.L. (Teaching English as a Foreign Language), The Language Centre of Ireland, Dublin. 

I am currently working on two interrelated research projects: Inventing Grand Paris (IGP) and Grounding Cities, Growing Resonance (GCGR).

'Inventing Grand Paris' was awarded an AHRC Leadership Fellowship Grand in 2018. Engaging with the visual and material cultural expressions surrounding the 'Grand Paris' project, it explores the diverse and often conflicting imaginaries pertaining to this Haussmannian-scale infrastructural reorganisation of the French Republican capital's relationship to its banlieues. This project was showcased to French UK Ambassador, Catherine Colonna, during her visit to Newcastle University in January 2019, and contributed to the evidence-base for excellence in UoA26’s REF2021 Environment Statement. In January 2020, I discussed the project at a British Academy Roundtable on ‘Urban Violence’. The research has thus far yielded an article and two book chapters, as well as three historical vignettes for the bestselling 30-Second Parisvolume (2018). A monograph is currently underway for this research entitled Grounding Grand Paris: Art, Urbanism, and the Right to the City. This project has enabled a creative research practice: in collaboration with digital and soundscape artists, we created a poetic documentary, Line 16, exploring the affective resonance of future metro sites in Seine-Saint-Denis.

The second project, ‘Grounding Cities, Growing Resonance’, emerged during the pandemic, when restrictions led me to consider applying my research questions and practices around land and displacement to sites closer to home. Together with a colleague in DCU, I helped organise partners for a public-facing, ‘urban ecologies’ workshop in Dublin. This workshop led to consistent engagement with partners based in the North East—the Newcastle Council Cities of Sanctuary initiative, and most notably, The Comfrey Project. The Comfrey Project is a charity constituting an urban garden and allotment space, engaging ecotherapeutic techniques to improve the well-being of refugees and people seeking asylum. In February 2022, the engagement efforts were awarded a HaSS Research Institute’s Pioneer Award (£1266) to conduct a co-creative workshop, 'Sowing Stories', along with artist Sara Cooper in collaboration with the charity. This workshop’s success led to the award of a HaSS Knowledge Exchange Sabbatical (January 2023) in partnership with the Comfrey Project. This sabbatical’s work led to the co-production of a project, The Comfrey Almanac, which is ongoing.

I'm involved in a number of research groups at Newcastle University and sit on the steering committee of our Centre for Researching Cities. I was co-founder of The Irish Centre for Transnational Studies and am a long-standing external member of its executive board. From 2019-2022, I sat on the editorial board of The Journal of European Popular Culture, and was editor at the Irish Journal of French Studies (2011–2020). I've also had the pleasure sharing my work in modest interventions for the BBC and the British Academy, and been a keynote speaker at several international conferences and a dedicated PGR conference in Belfast.

UNDERGRADUATE TEACHING

I am the module leader on the following final-year undergraduate module:

FRE4020: Writing Elsewhere: Cultures of Travel in French

In this module, we explore how travel and travel writing in French has shaped experiences and understandings of the world. Traversing diverse landscapes through literary extracts, critical theory, film and photography across an array of time periods, students examine how travel writing not only reflects but also shapes our understanding of the 'global' and of other cultures. Through lectures, seminars, close analysis and fieldwork, students gain an understanding of concepts like "otherness", "orientalism", "exotic", "endotic" and "relation", and critically examine travel and its influence on identity formation and deconstruction. By the end of the module, the aim is for students to have a comprehensive understanding of the historical evolution of travel writing and its relevance to contemporary societal and ecological issues, and to emerge with enhanced linguistic skills, a refined critical eye, and a deeper appreciation for the transformative power of travel and travel writing as constructions of 'elsewhere'.

I also teach a unit on the theme of marginality in the second-year undergraduate module:

• FRE2009: Paris

This module covers four topics which may include, for example: Modernisation, Marginality, Revolution, Visions of the City, Politics of the Town Hall and Language. Two topics will be covered in Semester 1 and two in Semester 2; there are also two essay-writing seminars and a feedback session, as well as a concluding overview session.

The lectures for this course are taught mostly in French and the seminars in English. The module is thematically organised into an introductory overview followed by four

sections. In lectures, students are given historical background and introduced to theoretical work which they are encouraged to apply to the study of texts from a variety of different media.

DOCTORAL SUPERVISION

I co-supervise two doctoral students:

Along with Prof. Shirley Jordan (SML), I supervise Sophie Ellis, who is a Northern Bridge postgraduate recipient. Sophie's work explores Hospitality in contemporary French and Francophone visual arts practices.

Along with my colleagues in the School of Architecture, Planning and Landscape, Profs. Simin Davoudi and Stephen Graham, I supervise Farhan Anshary, who is a NINE DTP recipient. Farhan's work explores Spatial Imaginaries of ‘City’ and ‘Non-City’ in the Jakarta City-Region.

I welcome enquiries from research candidates interested in the following themes/areas of modern and contemporary French & Francophone Studies: 

• Cities
• Visual Culture
• Travel Writing

EXTERNAL EXAMINING

I've acted as external examiner on University of London’s Institute of Paris’s (ULIP) MA in Urban History and Culture (2019-2022) and am currently external examiner for the UG programme for French at MIC, University of Limerick.

• Articles

  • Jein G. A Honeycomb Conjecture: Hexagonal Imaginaries and Interspecies Storytelling for Le Grand Paris. French Studies 2024, 78(4), 623–643.
  • Jein G, Rorato L, Saunders A. Introduction: City Margins, City Memories. Journal of Contemporary European Studies 2017, 25(4), 405-411.
  • Jein G. (De)Facing the Wall. The Traditions, Transactions and Transgressions of Street Art. Irish Journal of French Studies 2012, 12(1), 83-111.

• Authored Book

  • Jein G. Alternative Modernities in French Travel Writing: Engaging Urban Space in London and New York, 1851–1986. London, UK: Anthem, 2016.

• Book Chapters

  • Jein G. Speculative Spaces in Grand Paris: Reading JR in Clichy-sous-Bois and Montfermeil. In: Christoph Lindner; Gerard F. Sandoval, ed. Aesthetics of Gentrification: Seductive Spaces and Exclusive Communities in the Neoliberal City. Amsterdam, The Netherlands: Amsterdam University Press, 2021, pp.221-246.
  • Jein G. Urban Dystopias. In: Anna-Louise Milne; Russell Williams, ed. Contemporary Fiction in French. Cambridge, UK: Cambridge University Press, 2019, pp.199-218.
  • Jein G. 'The Modern Period'; 'Rungis—Les Halles'; 'La Défense'. In: John Flower, ed. 30-Second Paris: The 50 key elements that shaped the city, each explained in half a minute. London, UK: Ivy Press, 2018, pp.3.
  • Jein G. Suburbia Interrupted: Street Art and the Politics of Place in the Paris Banlieues. In: Jordan S; Lindner C, ed. Cities Interrupted: Visual Culture and Urban Space. London: Bloomsbury, 2016, pp.87-104.
  • Jein G. From Legislative to Interpretive Modes of Travel: Space, Ethics and Literary Form in Baudrillard’s America. In: Charles Forsdick; Ludmilla Kostova; Corinne Fowler, ed. Travel and Ethics: Theory and Practice. London: Routledge, 2014, pp.31-51.
  • Jein G. Dislocating Travel: New York as anti-domus in Simone de Beauvoir’s Amérique au jour le jour. In: Connon,D;Jein,G;Kerr,G, ed. Aesthetics of Dislocation in French and Francophone Literature and Art: Strategies of Representation. Lampeter: The Edwin Mellen Press, 2009, pp.33–52.

• Edited Book

  • Connon D, Jein G, Kerr G, ed. Dislocation in French and Francophone Literature and Art: Strategies of Representation. Lampeter: The Edwin Mellen Press, 2009.

• Exhibition

  • Devlin R, Flukiger M, Dickenson A, Edwards C, Jein G, Bakir V, McStay A. Veillance. 2017. Bangor University: White Box, Pontio, 1.

• Online Publication

  • Jein G. (De)facing the Suburbs: Street Art and the Politics of Spatial Affect in the Paris banlieues. Dublin: Sinéad Furlong-Clancy, 2015. Available at: http://thedsproject.com/portfolio/defacing-the-suburbs-street-art-and-the-politics-of-spatial-affect-in-the-paris-banlieues/.