Module Catalogue 2025/26

SEL3450 : Border Fictions: Migration, Memory, and Transgressions in Global Anglophone Literatures (1900-Present Day)

SEL3450 : Border Fictions: Migration, Memory, and Transgressions in Global Anglophone Literatures (1900-Present Day)

  • Offered for Year: 2025/26
  • Module Leader(s): Dr Shalini Sengupta
  • Owning School: English Lit, Language & Linguistics
  • Teaching Location: Newcastle City Campus
  • Capacity limit: 48 student places
Semesters

Your programme is made up of credits, the total differs on programme to programme.

Semester 1 Credit Value: 20
ECTS Credits: 10.0
European Credit Transfer System
Pre-requisite

Modules you must have done previously to study this module

Pre Requisite Comment

N/A

Co-Requisite

Modules you need to take at the same time

Co Requisite Comment

N/A

Aims

This module examines how borders have been imagined, narrated, and resisted in global Anglophone literature since the twentieth century. Far from creating a borderless world, contemporary globalisation has generated a proliferation of borders. Borders begin with us, long before they are ever inscribed in the land. They are, instantaneously, points of arrival and departure: equally a beginning and an end; equally crucial and immaterial. Every border is—as we shall see—its own story, bestowed with new contemporary relevance. At the heart of this module lies an attempt to interrogate what a border really is and understand its relevance in the context of ongoing migration and the current intensification of border regimes.

Students will begin with an understanding of political borders, or the racial ordering of geographical space, and gradually move on to an understanding of how borders are felt internally in the body. We will look at diverse material to study borders that are interpersonal, political, affective, and psychological. Topics may include, but are not limited to: the Partition of the Indian Subcontinent in 1947 (one of the largest instances of border-crossings in human history) and its 'post-memory'; border control, checkpoints, and surveillance; QTMS (queer and trans migration studies); queer asylum; and gender borders.

Borders, both fluid and littoral (land-based) will be discussed through novels, animated documentaries, poetry, and prose-poetry. The module will maintain a postcolonial and diasporic focus throughout, which means that students will get the opportunity to step beyond Anglo-American literary borders in their research and writing. Border Fictions is also structured around the ethics and politics of slow pedagogy, which means that there will be some texts that are discussed over two weeks instead of one, allowing students more contact hours for deep learning.

Outline Of Syllabus

The module may include the following key texts:

Bhanu Kapil, Schizophrene (2011)
Bhanu Kapil, Ban en Banlieue (2015)
Homo Sacer: Sovereign Power and Bare Life, by Giorgio Agamben (1995)
Flee (2021) directed by Jonas Poher Rasmussen
Abdulrazak Gurnah, By the Sea (2021)
Momtaza Mehri, Bad Diaspora Poems (2023)
Travis Alabanza, None of the Above: Reflections on Life Beyond the Binary (2022)

Where possible, the module will include guest lectures from selected writers and critics whose works are among the key texts on the syllabus.

Learning Outcomes

Intended Knowledge Outcomes

By the end of the module, students will have:

1. Knowledge of borders/contemporary border regimes and their relationship with modern and contemporary literature.

2. A secure understanding of how gender/race/sexuality is mediated through contemporary border regimes.

3. Detailed understanding of the concepts of migration, memory, and desire; migrant sexualities, surveillance, nomadism; and im/mobilities through the study of, and struggles around, the border.

4. In-depth knowledge of historical-political events (such as the Partition of India) and the way they are represented in literature surrounding borders.

5.Familiarity with queer (of colour), feminist and global activism around/against borders.

Intended Skill Outcomes

The module will develop skills in:

1. Analysing global Anglophone literatures and literature produced by (migrant/queer) writers of colour

2. Understanding the relationship between literature, politics, ethics and history in contemporary literary production

3. Analysing (audio-) visual material, such as film and animated documentaries as modes of literary production

4. Analysing hybrid genres (prose-poetry) and their relationship with minority writing

5. Analysing and evaluating literary texts alongside their wider cultural and political contexts

6. Deploying relevant theoretical material in the analyses of literary texts

7. Producing independently researched academic essays and creative-critical work

8. Collaborative discussion and participation in scheduled learning and teaching activities

Teaching Methods

Teaching Activities
Category Activity Number Length Student Hours Comment
Scheduled Learning And Teaching ActivitiesLecture111:0011:00N/A
Guided Independent StudyAssessment preparation and completion140:0040:00N/A
Guided Independent StudyDirected research and reading173:0073:00N/A
Scheduled Learning And Teaching ActivitiesSmall group teaching112:0022:00N/A
Scheduled Learning And Teaching ActivitiesDrop-in/surgery22:004:00N/A
Guided Independent StudyStudent-led group activity120:0020:00N/A
Guided Independent StudyIndependent study130:0030:00N/A
Total200:00
Teaching Rationale And Relationship

The lectures provide the literary overview, contextual basis and theoretical background for students to learn about the key topics of the module. The lectures include analyses of texts on the syllabus and discussions on the historico-political contexts that surround them. The first half of the module experiments with slow teaching as an alternate form of pedagogy and emphasises process over coverage: we discuss a maximum of three primary texts over six weeks to allow for deep learning and engagement.

The small-group teaching in the form of seminars are forums where students discuss the primary texts, in relationship to topics raised in the lectures, while bringing in key secondary sources that relate to the set texts. The seminars are spaces for collaborative thinking and discussion that allow for effective knowledge acquisition and the sharing of ideas.

Reading Lists

Assessment Methods

The format of resits will be determined by the Board of Examiners

Other Assessment
Description Semester When Set Percentage Comment
Essay1A85One essay of 2500 words due at the end of Semester 1
Prof skill assessmnt1A15Attendance and engagement with study group, lecture/seminar activities will receive a summative mark on the module.
Formative Assessments

Formative Assessment is an assessment which develops your skills in being assessed, allows for you to receive feedback, and prepares you for being assessed. However, it does not count to your final mark.

Description Semester When Set Comment
Portfolio1MThis is a formative mid-module assessment. It can either be a creative submission (alternate book cover/photo-essay/video or short film) on the module topic or a 1500-word essay on any of the texts discussed in the first half of the module.
Assessment Rationale And Relationship

This module covers a variety of literary texts, and engages with a number of theoretical and critical concepts. While providing a solid general framework through lectures and seminar discussions, it also encourages students to forge their own connections between texts. For this reason, it is felt that the best method of assessment in relation to the learning and skills outcomes is the submitted essay of 2500 words (worth 85% of the mark) that allows students the opportunity to develop an independently researched essay, incorporating both primary and secondary material.

There is a mid-module formative essay that is designed to help students prepare for this final essay. This formative assessment engages different skills (creative as well as critical) so that the module remains accessible, inclusive, diverse and flexible.

15% of the assessment will be based on class participation and engagement with lecture and seminar activities. It is essential for students' learning
outcomes that they engage with and participate in these activities (as per the Education Resilience Framework). This summative mark has the aim to help them focus on these tasks. Participation and engagement will also help students learn to contribute to academic debates around literature and literary scholarship on the Global Anglophone.

Timetable

Past Exam Papers

General Notes

N/A

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