Bringing Pop Art home

Print Goes Pop , 25 September 2021 – 29 January 2022 ,is the latest in a series of Pop Art -themed exhibitions at the gallery, which has strong links with the art movement of the 1950s and 60s.

The autumn exhibition will expand on stories told in Pioneers of Pop, which was exhibited at the Gallery in 2017 , but will focus on the screenprinting method that was popular with artists at that time. Artists began using screenprinting, a stencil-based printmaking method, in the 1930s , but it became particularly popular with the rise of Pop Art.

During the 1960s, ‘Pop’ artists such as Richard Hamilton, Andy Warhol and Roy Lichtenstein embraced the technique to make vibrant large - scale prints using imagery from popular culture. The exhibition will also explore how the technique has been used in innovative ways by leading artists that weren’t considered ‘Pop’ artists,such as Gillian Ayres and Bridget Riley.

Some of the best-known works in the exhibition are Richard Hamilton’s My Marilyn, which will be shown alongside several works from Andy Warhol’s Marilyn series, and Roy Lichtenstein’s Brushstrokes.  Richard Hamilton taught at Newcastle University from 1953 to 1966. 

Vitality and importance

Another highlight of the exhibition is a group of 18 works from Eduardo Paolozzi’s Bunk! series, which is rarely exhibited in such large numbers. Less familiar artists, such as Corita Kent and Parviz Tanavoli, help to diversify the story of how artists have worked creatively with the screenprinting method.

The exhibition is curated by Hatton Gallery, and combines loans from the Arts Council Collection, Tate and the V&A with rarely seen works from the Hatton Gallery and Laing Art Gallery collections

Professor Richard Talbot, Director of the Institute for Creative Arts Practice at Newcastle University said: “ In bringing together this significant body of work by artists, some of whom taught in the Fine Art department at Newcastle, this exhibition reminds us of the vitality and importance of printmaking as a creative medium, which continues to be seen to this day – globally, as well as in the University’s own undergraduate and postgraduate fine art students.”

Julie Milne, Chief Curator of Art Galleries at Tyne & Wear Archives & Museums (TWAM), said: “Pop Art has a special place in the Hatton’s history, and I’m thrilled that we are able to bring the work of so many fantastic artists to the region. Our Keeper of Art, Lizzie Jacklin, has worked hard to bring together these significant works, and to tell the story of why screenprinting became synonymous with the Pop era.”

All of Hatton Gallery’s exhibitions are free entry, with a suggested donation of £5.

Press release adapted with thanks to Tyne and Wear Archives and Museums.