• Offered for Year: 2024/25

• Module Leader(s): Dr Harry Weeks
• Other Staff: Dr Katarzyna Falecka, Professor Catriona Macdonald, Professor Richard Clay, Ms Flora Dunster, Dr Fiona Anderson

• Owning School: Arts & Cultures
• Teaching Location: Newcastle City Campus

Semesters

Your programme is made up of credits, the total differs on programme to programme.

Aims

This module enables the student to apply rigorous analytical thought in a sustained piece of writing on an art historical topic defined by them in discussion with tutors. Through structured tutorial supervision and discussion a clear understanding is developed. Knowledge of what others have said about it and critical arguments lead to independent judgment of the primary evidence and related material.

The module offers students the opportunity for in-depth engagement with a specialised topic of their choice. Fine Art students may choose a subject that relates directly to their practical work, and which helps define and develop this, or select a topic of broader interest - Combined Honours students might want to select a subject related to their other disciplines. Interdisciplinary topics are also welcomed.

Regardless of the subject chosen, the intensive critical and analytical skills involved in researching and writing the dissertation supports studio work through developing intellectual maturity and an increased awareness of historical, theoretical and critical issues.
For the purposes of the dissertation, 'Art History' is understood to embrace a wide range of possible approaches and subject areas decided in consultation with your supervisor. Some possible areas include: examining a particular facet of an artist's work; critical analysis of relevant text(s); iconographic studies; primary research involving interviews and questionnaires; gallery, museum and exhibition issues, etc.

Outline Of Syllabus

The course begins with an introductory lecture and student-led workshops on selecting your dissertation topic and beginning your research. You then complete a form indicating the subject or subject area you have chosen. You will then be allocated a supervisor who will work closely with you and give advice and feedback on researching and writing the dissertation. The syllabus, included in the Dissertation Handbook, requires that plans, bibliographies and drafts are submitted to your supervisor on the due dates. During this period there will also be supportive library and student-led workshops, activities and lectures related to the planning, time-management and writing of your dissertation. You will attend one-to-one tutorials with your supervisor to discuss the development of ideas and to get feedback on submitted work at regular intervals throughout the academic year.

Teaching Methods

Teaching Activities

Teaching Rationale And Relationship

1. Lectures: to allow definition of key dissertation stages, expectations and processes to the full cohort of students. Also modelling of the level and nature of the analysis required.
2. Structured guided learning allows students to build core skills.
3. Tutorials encourage students to articulate their aims, define their subject area and demonstrate their grasp of the material involved. They provide advice to the student on all aspects of the research, content, structure and presentation of the dissertation and critical feedback on strengths and weaknesses of submitted work.

If Covid-19 restrictions lead to another lockdown and university closures, PiP delivery can be moved to synchronous online delivery.

Assessment Methods

The format of resits will be determined by the Board of Examiners

Other Assessment

Assessment Rationale And Relationship

The Art History dissertation provides the student with the most subject appropriate mode of demonstrating sustained scholarly research, understanding, critical independence and ability in academic writing.

Reading Lists

• FIN3097's Reading List

Timetable

• Timetable Website: www.ncl.ac.uk/timetable/
• FIN3097's Timetable