MUS3064 : Double Major Specialist Study: Folk Performance
- Offered for Year: 2024/25
- Module Leader(s): Dr Larry Zazzo
- Owning School: Arts & Cultures
- Teaching Location: Newcastle City Campus
Semesters
Your programme is made up of credits, the total differs on programme to programme.
Semester 1 Credit Value: | 40 |
Semester 2 Credit Value: | 40 |
ECTS Credits: | 40.0 |
European Credit Transfer System |
Aims
1. to engage in a high-level programme of instrument or vocal performance.
2. to consolidate and develop musical, technical, expressive and critical skills in performance practice.
3. to demonstrate professional attitude and practice in preparation and performance.
By the end of this module you should have acquired: knowledge of performance practice issues stemming from the studied repertoire; knowledge, including an appropriate degree of memorisation, of the pieces learnt during the year; and awareness of professional performance standards (e.g. presentation, preparation, programme notes).
Because of the nature of instrumental study, tuition primarily takes place in one-to-one sessions with an external (approved) instrumental / vocal tutor (assigned to the student by the module leader and/or one of the heads of instrumental studies). Students are also required to attend some internal sessions (workshops) which might consist of instrumental master classes, guidance on performance formats, stagecraft, assessment etc. One-to-one tutorials are available with the module leader(s) in order for students to discuss their programmes. Time spent in supporting activities strengthens students' teamwork, and broadens their interpretative flexibility.
Assessment: A Specialist Study Project Proposal incorporating commentary on the previous year's recital video and examiners' feedback to be submitted in the middle of Semester 1 (10%), interim recital or recitals on each instrument, (20% ) and end of year performance of no more than 80 minutes duration, together with appropriate accompanying documentation (programme notes incorporating self-reflection and critical knowledge of observed live performances) (70%).
Outline Of Syllabus
Students prepare three recitals: two 15 minute interim recitals for each instrument (Semester 1) and the final recital, which may be performed as either two separate recitals of 40 minutes in length, or the student may decide to use both instruments or voice in a 2 x 40 minute recital format, which will be programmed consecutively and run as a standard professional length concern (with an interval between each half) (Semester 2). Students are supported in this process through consultation with the module leader(s) and a series of 18 one hour one-to-one lessons (or ensemble coaching sessions) with a specialist instrumental or vocal tutor for each instrument (36 hours total), supplemented by occasional workshops with Heads of Studies and guest tutors. as well as tutorials on Programme Notes, Stagecraft, and Assessment. The module requires approximately 380 hours of private study (individual practice and / or ensemble rehearsal).
Teaching Methods
Teaching Activities
Category | Activity | Number | Length | Student Hours | Comment |
---|---|---|---|---|---|
Scheduled Learning And Teaching Activities | Lecture | 1 | 2:00 | 2:00 | programme notes, stagecraft. PiP. or converted to SO if needed. |
Scheduled Learning And Teaching Activities | Lecture | 4 | 2:00 | 8:00 | 4x attendance at NICAP Creative Practice Research Forum. PiP. |
Scheduled Learning And Teaching Activities | Practical | 4 | 2:00 | 8:00 | Workshops/masterclasses, yoga, performance anxiety. PiP. |
Scheduled Learning And Teaching Activities | Practical | 36 | 1:00 | 36:00 | 1:1 instrumental & vocal lessons. PiP. |
Scheduled Learning And Teaching Activities | Practical | 4 | 2:00 | 8:00 | Participation in student concert. PiP. |
Guided Independent Study | Skills practice | 1 | 722:00 | 722:00 | N/A |
Scheduled Learning And Teaching Activities | Drop-in/surgery | 16 | 0:30 | 8:00 | Tutorials 1:1. PiP. |
Scheduled Learning And Teaching Activities | Drop-in/surgery | 16 | 0:30 | 8:00 | Tutorials 1:1. PiP. |
Total | 800:00 |
Teaching Rationale And Relationship
Individual lessons are the mode for the development of appropriate technical and interpretative skills. Group workshops provide further development of a range of performing, wellbeing, rehearsing and research skills. Individual tutorials provide opportunities for performance feedback and review, as well as programme planning.
Assessment Methods
The format of resits will be determined by the Board of Examiners
Exams
Description | Length | Semester | When Set | Percentage | Comment |
---|---|---|---|---|---|
Performance | 30 | 1 | A | 20 | Interim Recital (30 minutes) |
Performance | 80 | 2 | A | 70 | Final Recital (80 minutes) |
Other Assessment
Description | Semester | When Set | Percentage | Comment |
---|---|---|---|---|
Written exercise | 1 | A | 10 | Specialist Project Proposal Form (see below) |
Assessment Rationale And Relationship
The summative Specialist Project Proposal will encourage students to reflect critically on the video of their previous year's final recital, and to better understand examiners' marking criteria. It also requires creative research and the formulation of a plan of study leading to two professional level performances. Recitals accessible to the public provide a forum in which to display technical, musical, expressive and presentational skills developed in the course of the module.
The final recital may be performed as either two separate recitals of 40 minutes in length, or the student may decide to use both instruments or voice in a 2 x 40 minute recital format, which will be programmed consecutively and run as a standard professional length concert (with an interval between each half).
The formally- written programme notes (with Bibliography) accompanying your final recital will aid a potential audience and examiners in appreciating your performance and in understanding your choice of repertoire, and will provide a narrative of your development over the year under an appropriately formulated plan of study; these notes may document your working processes in tuition, practice and outside research, and include examples of how your regular participation in student performances and workshops and your active engagement with professional concerts may have impacted on these working processes.
Your tutor's report will be available to the assessment panel for consultation at the time of your end-of-year recital.
Reading Lists
Timetable
- Timetable Website: www.ncl.ac.uk/timetable/
- MUS3064's Timetable